Glass Charles
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Bekker Alfred
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Vandenberg Patricia
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Doyle Arthur Conan
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Shakespeare William
(584)
Wallace Edgar
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Glass Charles
(-)
Sienkiewicz Henryk
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Dickens Charles
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Cartland Barbara
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Andersen Hans Christian
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Chávez José Pérez
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Ellmer Arndt
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Oppenheim E. Phillips
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Palmer Roy
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Stevenson Robert Louis
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Wells H. G
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Voltz William
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Fabianowska Małgorzata
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Courths-Mahler Hedwig
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Howard Robert E
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Kipling Rudyard
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Hałas Jacek "Stranger"
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Bazán Emilia Pardo
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Mark William
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Włodarczyk Barbara
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Goethe Johann Wolfgang von
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Mickiewicz Adam
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Żeromski Stefan
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Hoffmann Horst
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Adamus-Ludwikowska Jolanta
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Alcott Louisa May
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Kneifel Hans
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Szulc Andrzej
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Brand Max
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Калинина Дарья
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Orzeszkowa Eliza
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Verne Juliusz
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Rodziewiczówna Maria
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Кир Булычев
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Chotomska Wanda
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Burnett Frances Hodgson
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Kayser-Darius Nina
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Wilde Oscar
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Woolf Virginia
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Александрова Наталья
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McMason Fred
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Coben Harlan
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Prus Bolesław
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Haensel Hubert
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Rawinis Marian Piotr
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Колычев Владимир
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Disney
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Drewnowski Jacek
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Головачёв Василий
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Webb Holly
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Collins Wilkie
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Leblanc Maurice
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Scott Walter
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Fischer Marie Louise
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Grey Zane
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Cooper James Fenimore
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Orwell George
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Suchanek Andreas
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Anton Uwe
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Zola Émile
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Dumas Alexandre
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Thurner Michael Marcus
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Krzyżanowski Julian
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Rok wydania
2020 - 2024
(1)
2010 - 2019
(1)
Kraj wydania
Polska
(2)
Język
polski
(2)
2 wyniki Filtruj
E-book
W koszyku
Forma i typ
A brilliant and poignant history of the friendship between two great war poets, Siegfried Sassoon and Wilfred Owen, alongside a narrative investigation of the origins of PTSD and the literary response to World War I Second Lieutenant Wilfred Owen was twenty-four years old when he was admitted to the newly established Craiglockhart War Hospital for treatment of shell shock. A bourgeoning poet, trying to make sense of the terror he had witnessed, he read a collection of poems from a fellow officer, Siegfried Sassoon, and was impressed by his portrayal of the soldier's plight. One month later, Sassoon himself arrived at Craiglockhart, having refused to return to the front after being wounded during battle. As their friendship evolved over their months as patients at Craiglockhart, each encouraged the other in their work, in their personal reckonings with the morality of war, as well as in their treatment. Therapy provided Owen, Sassoon, and fellow patients with insights that allowed them express themselves better, and for the 28 months that Craiglockhart was in operation, it notably incubated the era's most significant developments in both psychiatry and poetry. Drawing on rich source materials, as well as Glass's own deep understanding of trauma and war, Soldiers Don't Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the human psyche. As he investigates the roots of what we now know as post-traumatic stress disorder, Glass brings historical bearing to how we must consider war's ravaging effects on mental health, and the ways in which creative work helps us come to terms with even the darkest of times.
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E-book
W koszyku
Forma i typ
This is the Iraq war as it really started, amid lies, confusion and profound distrust between the United States and its Iraqi allies. Charles Glass, who first covered the Kurds in 1974 and was in Iraq for their failed rebellion in 1991, depicts the tense epoch that sowed the seeds of America's inevitable failure there. The Northern Front is the dramatic eyewitness account of the machinations of Iraqi leaders - Ahmad Chalabi, Abdel Aziz Hakim, Massoud Barzani and Jelal Talabani - to control the country before their opponents seized the initiative. Glass recounts what went wrong when the US, with Britain in tow, imposed its will on a people unlikely to accept foreign designs for their future. He indicts international media conglomerates that failed to tell the truth when public debate could have prevented the deaths and destruction that came with war. 'Witty and absorbing … Essential, and humbling, reading for all those pundits and commentators who think they understand what happened in Iraq.' Malise Ruthven, author of A History of the Arab Peoples 'A vivid picture of the events leading up to the war and the chaos of the war itself.' Ian Gilmour 'Should be mandatory reading for all wannabe foreign correspondents.' Jonathan Randal 'A beautifully written account of the full sweep of the war and of what it was like to report on it. A starting-point for any proper understanding of the whole contentious business of the Iraq war.' John Simpson 'In the finest tradition of radical reporting - anti-war, sympathetic, compassionate and enlightening.' Phillip Knightley, author of The First Casualty
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